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   Augmented Scales is a term (no surprise) that we have made up and refers to major scales that are altered and as a result create an augmented chord, When you alter the C major (C E G) then you are augmenting the 5th...

Key of C with an augmented 5th... (Harmonic Minor)

   Using the 'sharpen the fifth' theory on the minor chords will create major chords and when you sharpen the 5th of a diminished chord then you come up with a major chord, This theory alters a position of a chord so lets look at it as altering a position of a scale...

   Above we have altered the '5th' of C major which is 'G' which creates three augmented chords (C aug., E aug., G# aug.), There are two other positions of the major scale that you can alter to create augmented chords (the 1st and 2nd degrees)...

Key of C with an augmented root...

   Modifying the root of a chord is taboo so messing with the root of the scale is probably double taboo, Nonetheless when you augment the root (C) of the Key of C then you create three augmented chords (C# aug, F aug, A aug)...

Key of C with an augmented 2nd...

   When you augment the 2nd (D) tone of the Key of C then you create three augmented chords (D# aug., G aug., B aug.), This could be another reason you should study alterations as they are from the common major scale, The aug5 and aug2 sound related to each other but the aug1 sounds like its a little bit beyond...

   When you play in the Key of C then you are using all but five tones so using all three augmentations on the C major scale will result in playing 10 of the 12 tones possible, When you augment the 4th degree of the Key of C then you come up with the Key of G and the augmentation of the 6th degree does not create any augmented chord at all...